As an erstwhile proposal specialist, I prefer the sewer line
running down the middle of the street instead of along the side in the grass. I
like a brick facade on bridges. And I really love a tall, sunny atrium with
trees planted in it.
But in all my years in this business, I don't recall my engineering
and architectural colleagues ever allowing my preferences to influence even a
single design decision. Why should they? I lack expertise in those areas. Yet I
routinely find technical professionals dictating to their marketing colleagues
what proposal standards should be because it's what they like or how they've
always done it.
Marketers unite; it's time to take control of your realm.
There are established design principles in publishing just as there are in
engineering and architecture. There's an abundance of research into how design
affects reading speed, comprehension, retention, and persuasion. In a
profession that so values expertise, shouldn't we be applying more of it to how
we do proposals?
Now let's be clear, success with proposals depends in large
part on building client relationships, gaining critical insights before the RFP
is released, and creating compelling content. But don't overlook the important
role of design—how you present your insights, expertise, and
qualifications in a proposal.
This is an underappreciated discipline in our business.
Technical professionals tend to think it's simply a matter of aesthetics. I
don't know how many times I was asked to "pretty up" a proposal or
other document. Frankly, many so-called proposal specialists in our business
lack strong expertise in this area. They settle for making the proposal look
good without giving enough attention to how it functions.
Here are some things to consider relative to your firm's
proposal standards:
Good design facilitates communication. This is particularly true for audiences who don't read
the whole document or publication. That includes most client selection
committees. Design helps navigate the reader to the content of most interest,
it highlights the most important messages, it makes key points more memorable,
it makes the proposal more user friendly and efficient. The vast majority of
proposals I've seen, by contrast, require too much effort to review and fail to
distinguish key points.
Your proposal should look like a professionally-published
document. If marketers designed
buildings, the results would inevitably look amateurish, especially to a design
professional. That's undoubtedly how most of our proposals would look to a
publishing professional. But, you protest, that's not who is reviewing our
proposals! True, but clients are exposed to professionally produced
publications every day. Think they don't notice the difference? Given the
emphasis we place on an image of "professionalism" in our business,
why not apply the same standard to our proposals (not to mention our technical
work products, like reports, that clients pay good money for)?
Proposal specialists should be masters of their craft. So who's going to lead the advance of
professional-looking, function-driven, user-friendly proposals in our business?
That role naturally falls on those whose job it is to produce them.
Unfortunately, too many of our proposal specialists wield too little influence
to bring about meaningful changes. I understand the organizational dynamics
that contribute to this problem, but let's acknowledge that a big reason for
this is that many proposal specialists haven't demonstrated that they're the
real experts in this area.
I spent years building my skills as a proposal writer. I talked
with clients, reviewed hundreds of competitors' proposals, read related books
and articles, and dug into the details of effective document design. I used
research and published design standards to convince my bosses to allow some
changes. Then as my win rate increased, my credibility grew to enable me to
encourage further changes. Eventually, I was winning three-fourths of the major
proposal efforts I led as the corporate proposal manager, and had pretty much
complete creative control. That comes with demonstrated expertise.
Borrow from the best. There
are plenty of examples of good design out there. You can adapt those design
principles to your proposals without ever having to read a study about font
styles or characters per column width (although I would urge all proposal
specialists to do the research). In particular, look for the design ideas that
you see repeatedly in professional publications. That usually means it
works. Look how USA Today transformed the
design of other newspapers, in part because it was based on and confirmed by
extensive reader research.
Imitation is a good way to be different. If your proposal looks like a professionally-produced
document, it will stand out. Sounds like a winning idea, so why the pushback
when such changes are proposed? Seems many technical professionals are more
comfortable doing what they've always done, even if the results aren't all that
impressive. Some assume that clients expect to see proposals in a predictable,
time-tested format. And some simply have their preferences. Perhaps that helps
explain why there's so little differentiation in our business.
Of course, good design without good content still equals a
weak proposal. But good content presented in an ineffective manner can fail to
gain the client's notice. An important strategy in winning more proposals is
putting the two together—great content and great design. Is your firm
ready to raise the bar? Let expertise, not personal preferences, lead the way.